Raving Dave Fans Unite!

An Unofficial Dave Davies Solo Tour FAQ
An RDF Production

Dave at City Winery Chicago, Nov. 12, 2014
Dave

Tom Currier on bass
Jonathan Lea

Tom Currier on bass
Tom Currier

Tom Currier on bass
Dennis Diken

Excerpts From the Diary of a Raving Dave Fan

Maxwell's - Hoboken, New Jersey, 8/6/2000

The hand-drawn show poster at Maxwell's Once again I found myself getting on an airplane to fly to the East Coast. Luckily a series of Dave shows is more than enough reason to get airborne! Even if it did mean having to leave Ann Arbor at 5:15am to catch our flight.

We landed at LaGuardia in NYC and were met at the concourse by Joanne Corsano. It was a sticky overcast day, very much like the weather we left behind in Michigan! Neither Fritz nor I had ever been to New Jersey and aside from a few Saturday Night Live sketches from the mid-80s I had no idea what to expect.

Hoboken, at least the area around Maxwell's was actually quite nice. We stopped in what appeared to be a neighborhood dive watering hole and were pleasantly surprised to see stamped tin ceilings and stained glass windows along with extricate and lovely woodwork instead. And lest we forget Hoboken's most famous son, the required photo of Frank Sinatra hung on the wall behind the bar.

Maxwell's itself has been described as a "dump" and a "horrible venue" to me based on the previous Dave solo shows held there. Either the person describing prefers the Mr. B's of the world (see Summer of 1999 Tour review for a low-down on that) or dump is actually complimentary in some lexicon of slang. The food was good as well as having a wide variety of vegetarian options, always a plus in my book!

The opening band The Insomniacs probably would have sounded OK if the vocals were up a bit more and the bass wasn't so heavy. The lead singer and the guitarist were brothers and were trying very hard to be like the Gallagher brothers. Every time the guitarist tuned up a bit the lead singer made snide comments. They also seemed to have a majorly bad attitude towards the audience. It was hard to like them when the kept calling us names and indicating that they didn't think we could quite grasp their musical genius.

But luckily we hadn't come all this way to see them!

Through Maxwell's somewhat dodgy PA system we heard the opening bars of "Tapas" then Dave and the boys took the stage the whole crowd surged forward like a tidal wave and Rafaela, Frank Reda, Joanne and I got truly intimate with the stage. To be honest we were all packed in tighter than sardines during a cottonseed oil shortage!

"Charity" started the set out, which was quite a treat. The Chosen People LP has always been a particular favorite and I had wondered if this song would make it on to one of the set lists! It has been punched up a bit more than on the LP and really has translated well to the way Dave plays and sings now!

Then the band launched straight into "Till the End of the Day" then "I Need You" without a break between songs. By this time the audience in my immediate view were bouncing and clapping in time with the music, grins abound. The new rhythm guitarist/all around utility person, Jonathan Lea, joined the band on stage for "You're Looking Fine" which of course Dave had fun playing with female audience members during this song. He sought out a "pretty lady" and then smiled like a naughty schoolboy and added "or a pretty man".

After finding the lucky recipient of this attention was chosen he started; "When I first saw her-- she looked all right" and made this face as if to say "she could have looked better but she didn't exactly look awful either". Those of us with an almost permanent tattoo of the stage front on our chests laughed appreciatively.

At one point someone grabbed my cheek (not the one on my face) and I turned around to advise the person against it but found it was a friend Linda Kraus, a long time Kinks friend and the wife of Mike Kraus the host of the Marian College Show (CD available on Dave's website) she had figured calling out my name wouldn't quite get my attention!

Dave introduced one of the next songs as one they hadn't rehearsed much and started the familiar opening notes of "Mindless Child of Motherhood" then stopped saying they weren't going to do this one. Having heard the band attempt this song on other tours, just to have them stop mid-way I was not surprised that the choice to not play it was made. Imagine my delight when they started it back up again and launched into it heart and soul.

Kristian HoffmanDuring this song it was fun to watch Kristian Hoffman, the keyboard player ("dressed in a lovely chiffon" as Dave referred to him) and Dave interact. Dave stuck his tongue out at Kristian in a playful manner, Kristian then beamed ear to ear and returned the gesture. It was great to watch them play off of each other.

The ethereally lovely "See My Friends" with its almost Indian flavor was next and the whole crowd quieted down. I know for myself this song has a profound effect on me, I put my arms around Olga, Joanne and we started a chain of hugs down the whole front row for this song. It is pretty amazing how people from such diverse walks of life and areas of the world are so united in their love for Dave's music.

The biggest surprise of the night came with a really soft ballad treatment of the song "I am Free". Fritz turned to me, pen posed over his notebook and mouthed, "What song is this?" Truly I am remiss in bringing him up-to-date on the entire Kinks catalogue! I made a mental note to pick up an extra copy of "Kontroversy" if it was missing in his collection!

Kristian was treated to the teasing Dave does to any keyboard player he's worked with as a solo performer during "Death of a Clown" Kristian started the "tinkling" intro, only to have Dave make a face at him and quip "He's not THAT dead!" and motioned for Kristian to play it again. Kristian smiled and adjusted something on the keyboard and started the intro again. Dave looked at the audience as if to say, "Well, what do you think?" and Kristian stopped, shrugged and pointed to the keyboard indicating he was doing the best he could with such a rinky-dink piece of equipment. But gamely gave it another go, this time Dave let him finish and then started the song.

Halfway through "Death of a Clown" one of the strings on Dave's guitar broke, he looked down at it puzzled at first, but then Jonathan came rushing out from his perch behind the amps to give Dave a fully strung guitar.

"All Day and All of the Night" followed "Living on a Thin Line" then Dave eyed the edge of the stage and looked for an exit off in the back of the stage. He seemed to weigh the option of squeezing through the crowd to exit and return for an encore, and then gave a half shrug and did his "Encore" without leaving the stage.

"Funny Face" was another delightful surprise. The "naughty schoolboy" chorus was replaced with a more edgy treatment of the song, which was a nice update to a classic song. Then "Father Christmas" followed which seemed to provoke the audience to a higher frenzy, some people going so far as to throw money towards the stage. (I think I got a penny in my shirt, next time Mr./Ms. Thrower, larger amounts please!)

Dave and Co., hopped off the stage and some bouncer types, who must have worked for Maxwell's helped create space for the band to exit the venue.

We were about to leave when Jim LaSpesa came out and got Fritz's and my attention. He said he was wondering when we were going to show up, and he had a special favor/task for us. It seems that Dave had been teasing him that if Jim wore a dress, Dave would play "Lola". Jim didn't want to go that far, but did ask Fritz and I if we'd procure a big poofy blonde wig for him! We eagerly agreed to this task and went out into the night air to cool down.

My ears ringing despite the earplugs I had worn, and the heat of the audience making my clothes stick to my body weren't enough to stop the huge smile on my face at the enjoyment of Dave show and the knowledge that I had five more coming in the next week.

- Leslie Ohanian


Dave tears into it at Maxwell's
Photo by Leslie Ohanian